Kumiko, the Treasure Hunter
nothing approximately “Kumiko, the Treasure Hunter” may want to have organized audiences for its greatness. not the oddball premise, about a lonely jap female (Rinko Kikuchi) who believes the idea of “Fargo” is actual and decided to hunt for buried treasure in frozen Minnesota. not the quirky nature of her adventure, which incorporates a rabbit sidekick named Bunzo and numerous eccentric characters who can’t recognize a phrase Kumiko says. And no longer even some thing else in sibling directors David and Nathan Zellner’s preceding oeuvre. The Austin auteurs had been quietly cranking out surreal dark comedies for years before this extremely larger-scale attempt, but the film takes their prankish storytelling to new tonal heights, with a melancholic observe one girl fed on via fable that sympathizes with her outlandish cause.
No wonder Alexander Payne signed on as an executive producer: Like his nice paintings, “Kumiko” finds something weird and exceptional in the mythology of center the united states, even because it recognizes that giving into that fable can regularly result in a harsh reality test. Kumiko’s closing fate is a top notch encapsulation of what it manner to live in the confines of famous subculture till it eats you alive. Bunzo can also often thieve the show, but Kumiko is a unique man or woman whose adventure ranks as one of the most memorable cinematic plights of the past decade, building on the universe of 1 terrific tale and forging some other one in the manner.